My blog reviews movies as political, historical or social commentary with intentional disregard for their artistic or cinematic value. One foe of American political scientists and economists is that they ignore movies as sources to inform them on changes in American culture, view exoticism as a hallmark of "foreigness" and, at the same time, impart American values and judgment to foreign movies.
Saturday, November 22, 2014
Yellow, by Cassavetes.
Still from www.yellowthefilm.com
The movie is a labor of love--his romantic companion plays the lead and mom/stepmom? plays somebody--but it spins out of control as the life of the lead character. Styles mix freely--All That Jazz'-style singing and dancing numbers appear amidst masked cartoon characters.
The setting is surreal--assistant teacher in LA lives in a condo with a swimming pool adorned by artwork, wears designer dresses (and that is despite her drug habit) and her pedicure is impeccable even when she goes miles in Oklahoma desert over the rail tracks. Her debilitated unemployed sister played by Sienna Miller drives a Jaguar and the heroine is not afraid to leave children to her when she departs. Cassavetes cannot be accused of inattention to detail--one scene includes one slowly falling piece of torn bill in total defiance of gravity--but the director, as well as the author, should not love the characters he creates otherwise they take control over him.
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