My blog reviews movies as political, historical or social commentary with intentional disregard for their artistic or cinematic value. One foe of American political scientists and economists is that they ignore movies as sources to inform them on changes in American culture, view exoticism as a hallmark of "foreigness" and, at the same time, impart American values and judgment to foreign movies.
Saturday, May 16, 2015
Ex Machina vs. Her
Ex Machina is a retell of Dr. Frankenstein story for a new robotic era. It is stylish and well shot but it endows robot with human motivations and logic. Her is endowed with the strangeness of human-software relationship. Operational system is not so unhuman as to be totally opaque to human understanding, yet significantly different in its behavioral motivation and patterns. Furthermore, the Vicander-Gleeson duo does not stand up to the brilliance and subtlety of the Phoenix-Johansson duo.
P.S. There are also two bloopers in Ex Machina. When the mad billionaire-scientist's villa is out of juice, all doors must open, not shut down because they were reprogrammed that way. Second, the robot girl did not acquire autonomous source of energy to function in a human environment.
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