My blog reviews movies as political, historical or social commentary with intentional disregard for their artistic or cinematic value. One foe of American political scientists and economists is that they ignore movies as sources to inform them on changes in American culture, view exoticism as a hallmark of "foreigness" and, at the same time, impart American values and judgment to foreign movies.
Saturday, June 10, 2017
Origins: The Journey of the Humankind.
Because too much excitement is prohibited for us the senile loons, we are left with a few options (see the "Young Pope" review), NG is among them. "The Origins" is a brilliant concept, which is pitifully executed. The series are scientifically shallow and jingoistic politically; all human progress since antiquity is attributed to the Americans. In a politically correct fashion, even the plate
tectonics (discovered by A. Wegener, a German) is credited to an obscure American geologist who shamed that "frenchy" Cousteau.
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In the late Stalin's USSR (Lysenko's era), all scientific and technical advancement has to be attributed to a proper Russian scientist or engineer. While America's claim to all inventions is more well-founded, it is false and jingoistic nonetheless.
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