My blog reviews movies as political, historical or social commentary with intentional disregard for their artistic or cinematic value. One foe of American political scientists and economists is that they ignore movies as sources to inform them on changes in American culture, view exoticism as a hallmark of "foreigness" and, at the same time, impart American values and judgment to foreign movies.
Saturday, June 16, 2018
Love, Vincent
This is a genial animation with final days of Van Gogh reconstructed from his numerous letters and positioned as a whodunit story with the implied suspicion that Van Gogh was murdered, rather than committed suicide, ostensibly by good-for-nothing teenagers he befriended in his drunken roaming. But: the movie making technique where the characters are played by the human actors and then reanimated by drawing bears its descent from an unwatchable but equally genial "Waking Life" by Linklatter.
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