Saturday, June 12, 2021

Roy Andersson. On Endlessness.

 

An apocalyptic view (with "I saw" refrain) of sterile prison landscape of modern Sweden and, sometimes, 1945 Germany, in a color scheme of a postmodernist office space--pink-beige and 50 shades of grey. Somebody's absurdist idea of hell as an endless boredom. 

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